Scream Factory brings Dan O’Bannon’s horror-comedy classic to Blu-ray in a packed special edition.

Woody Allen’s Cafe Society is part Bullets Over Broadway, part Crimes and Misdemeanors, and part Manhattan. As a whole, it’s a mess of a story.

Although it will likely seem tame to many modern viewers, The Taking of Pelham 123 is embedded deep in the DNA of the action genre.

The New Jersey producer Clams Casino is known for deep core beat mining, crushing ground under the weight of deliberate tempo drum drops, releasing gasses that form smoggy, hazy surroundings with enchanting hues.

Rob Sheffield explores the relationship between artist and audience in this insightful eulogy to icon David Bowie.

It’s hard to believe Rosa Walton and Jenny Hollingworth are just 17.

Within the moonlit sphere fashioned by Animal Collective’s Josh Gibb in this mini solo album as Deakin, his particular influence on that group’s one of a kind sound becomes more understood.

Yellow Sky lacks the searing social commentary of The Ox-Bow Incident, but remains a noticeably rougher picture than most popular Westerns of the 1940s.

In the time it’s taken Tony Di Blasi and Robbie Chater to follow up The Avalanches’ sublime 2000 debut Since I Left You (released in 2001 in the U.S.) the world has somersaulted on its axis more than once.