It was raining. I took refuge at a show featuring three beautiful weirdoes:Renny Wilson, B.A. Johnston, and Dan Deacon.

This three-disc DVD set is as thorough an analysis of the video nasty phenomenon as a horror or exploitation fan could hope for.

Jack White‘s latest is chock full of bluesy soul and steps right into that blurry territory between Detroit rocker and Nashville troubadour that White has staked out as his own.

Director David Wain (Wet Hot American Summer) has created a playfully bizarre takedown of romantic comedies that just barely manages to not wear out its welcome.

Day two of Sled Island coincided with the Polaris Prize long list announcement.

Lee Marvin made a name for himself as the villain in many a cowboy movie in the ‘50s and ‘60s, and his legend includes how he changed the way violence was portrayed on the silver screen with realistic depictions that hadn’t before been seen.

Joe Berlinger’s Whitey focuses almost exclusively on Bulger’s 2013 trial, only giving the briefest information regarding his background and his rise to prominence.

Over the past half decade, there have been few singers more polarizing than Lana Del Rey. Her debut effort, 2012’s Born to Die, was inconsistent and confusing, fueling her skeptics’ fire.

Hellion paints a plaintive portrait of a family trapped in the bottom echelon of America’s middle class.