A fun, underrated feature from the late horror maestro, Wes Craven.

Dom Mariani has played the role of Australian power pop god for many years. For Datura4, Mariani pairs with Greg Hitchcock for a completely different kind of power, ‘70s blues-based hard rock.

Perhaps all Craig Finn needed was a slight change-of-scenery—his latest solo album is his best work since The Hold Steady’s Stay Positive. Instead of chugging bar rock and singalongs, this album is filled with quiet moments and character studies.

Nathan (Asa Butterfield) is on the autism spectrum. The only language he seems to fully engage with is mathematics.

I understand that The Bee Gees and Under the Radar might not be perfect bedfellows, so to speak.

The 24-year-old Cape Town, South Africa artist Yannick Ilunga’s music isn’t little and it isn’t dark. Sure, the music he’s released as Petite Noir is full of miniature percussive cheers and ominous bass, but Ilunga is more about titular contradictions than he is straightforward parallelism.

Jake (Jason Sudeikis) and Lainey (Alison Brie) are unhappy New Yorkers—and recovering sex addicts.

Mimi Parker and Alan Sparhawk and their bassist (Steve Garrington has served in the role since 2011) have long been making only two kinds of records; completely essential, passionate, cohesive and cogent statements, or those that are merely excellent and serve as a nice collection of tunes.

Brian De Palma’s 1980 film Dressed to Kill is C-grade exploitation executed in A-plus form.