Michael Winterbottom’s The Trip to Italy—like its 2010 predecessor, The Trip—presents less a narrative than a series of dinnertime conversations between fictionalized versions of Steve Coogan and Rob Brydon as they tour restaurants along Italy’s Mediterranean coast.

In the midst of mourning his girlfriend’s death, Zach is delighted to discover that Beth has returned to life, but somewhat dismayed by her growing hunger for human flesh.

Sigurd Svendsen, a Norwegian archaeologist, is convinced that the Oseberg ship—a Viking vessel used as a burial chamber in the Ninth Century—is more than it seems.

Author Lois Lowry’s prize-winning young adult book hasn’t made a smooth translation to the silver screen.

John Wojtowicz’s story was just crazy enough for the national press and for Hollywood to take notice, culminating in the 1975 production of the Academy-award winning film Dog Day Afternoon.

Mopey, dopey Wallace (Daniel Radcliffe, sans magic wand or period costume) is a med school dropout with a skeptical outlook on love.

The Maid’s Room is by all means a predictable affair, wherein Drina (Paula Garcés) works for a wealthy family on Long Island and then is blackmailed by said family when the son refuses to turn himself in after a hit and run accident.

The Valentinos are a histrionic American every-family worth little of your time.

The sophomore effort from writer/director John Michael McDonagh explores ideas of faith, family and violence through a lens of pitch black humor.