The film will probably be tiresomely described as “Groundhog Day meets American Pie”, though this only slightly eclipses the latter for the sheer fact that it seems kind of sincere.

Zemeckis nails the spirits of oddness and voyeurism that made freak shows so popular, and that’s both praise and part of the film’s weakness.

Set in a future where the Earth has been consumed by a new ice age, Snowpiercer—the English language debut of South Korean director Bong Joon-ho—is the story of revolutionaries attempting to overthrow a brutal caste system in the last remaining human refuge: a massive train that infinitely circles the planet.

Nothing Bad Can Happen examines modern faith in a way few films do.

Director David Wain (Wet Hot American Summer) has created a playfully bizarre takedown of romantic comedies that just barely manages to not wear out its welcome.

Joe Berlinger’s Whitey focuses almost exclusively on Bulger’s 2013 trial, only giving the briefest information regarding his background and his rise to prominence.

Hellion paints a plaintive portrait of a family trapped in the bottom echelon of America’s middle class.

For Haggis—best known for writing and directing Crash—we’d have been shocked if these three sets of characters weren’t somehow all connected.

Roman Polanski proves his dexterity once again with this dark, mystifying, and anything but simple two-character, single-location film.