The Customer is Always Wrong, Mimi Pond’s latest fictionalized memoir is, if anything, even better than Over Easy, the volume that preceded it.

Katie Skelly’s My Pretty Vampire is a very fresh take on the iconic bloodsuckers-Clover is something of a kept object by a brother obsessed with her, and the actual violence and gore of the book is significantly less creepy than most of the subtext.

While certainly targeting anyone nostalgic for 1980s toys and cartoons, does this crossover between the worlds of Eternia, home to He-Man, and Third Earth, home to the ThunderCats, succeed as a book for true fans? And does it succeed as a story irrespective of its IP mashup?

Hellboy: Into the Silent Sea has a lot going for it. Per usual with a Mike Mignola-verse project, the art-in this case by Gary Gianni, who also co-wrote the book with Mignola-is simply gorgeous.

On one level, Phonogram is a comic for the fussiest of music fans, layered with opinions about what this kind of music means, how much that band sucks or is amazing, etc. The kinds of arguments you might hear in record shops in days gone by, back when those were a thing.

A sitcom-porno that lasted half a season in the mid-‘90s. A movie whose cast-members seem cursed to die deaths strikingly similar to those of their characters, and the woman who uses their demises to chronicle her relationships.

A tight little tale of ghosts that’s less superheroics than horror mixed with plain ol’ heroics.

We’ve sung the praises of Simon Hanselmann and his cringe-worthy creations, Meg and Mogg, before.

Erik Kriek’s adaptation of five murder ballads, In the Pines is the rare graphic novel that comes with its own implied soundtrack.