Del Toro has always been one to find beauty in the horrific, challenging viewers to take a second look at that which we might be repelled by or might look away from in disgust; this 4K release of Cronos acts as a perfect distillation of that philosophy.

For 1970’s Performance, co-directors Donald Cammell and Nicholas Roeg fascinatingly depict the fluid evolution and blurred identity of late-1960s London counterculture as it collides with gangster violence.

Steven Wilson and his band had just completed a long European run at the time of the performances filmed for Home Invasion: In Concert at the Royal Albert Hall.

With 1989’s Drugstore Cowboy, Gus Van Sant became locked in as a filmmaker to follow.

“New York is truly a character of its own” in Crossing Delancey (1988).

Two underrated Kazuo Mori flicks receive their first English-language home video release.

The style of Jean-Luc Godard’s King Lear (1987) makes the film difficult to watch, yet impossible to look away from.

A middle-aged lifeguard (Sam Elliott) reaches a crossroad.

Kino Lorber’s new edition of Fade In (1968) rescues the film from a storied obscurity.