Arguably the apex of the screwball sub-genre that swept American comedies in the 1930s and early 1940s, Bringing Up Baby is also a high water mark in the careers of stars Cary Grant and Katharine Hepburn.

Jacobs’ short collaborations with larger-than-life filmmaker/proto-performance artist Jack Smith, collected on this set, are goofy and fun to watch even as they’re colored with a patina of world-weary melancholy.

One Crazy Summer (1986) was director Savage Steve Holland’s follow-up to his hit Better Off Dead (1985), reuniting him with the prior film’s teen star, John Cusack.

Last Train from Gun Hill was something of a spiritual sequel to the 1957 film Gunfight at the O.K. Corral.

Simplicity is key in Company.

Arrival, this ain’t.

Set over one week, After Life takes place at one facility (of many) that humans go to after their death.

If there’s any one word to describe the feel of Rancho Deluxe (1975), it’s “casual.”

Hot off the success of Rudolph the Red-Nosed Reindeer (1964), Rankin/Bass productions attempted to channel a similar celebrity-voiced, stop motion-animated formula away from television sets and onto the big screen with The Daydreamer (1966), a live action/animation hybrid overflowing with mid-Sixties star power.