Marcell Jankovics’ psychedelic masterpiece gets an official release after four decades.

A series of eight vignettes, from eight different directors, covering different aspects of the 1972 Olympic Games in Munich.

The Black Marble (1980) is an oddly-toned film that’s part-mystery, part-comedy, part-romance.

Documentaries rarely come as harrowing as Martin Bell and Mary Ellen Mark’s Streetwise.

Decades ahead of its time and emotionally attuned to its characters and themes, Merrily We Go to Hell is a classic of unvarnished pre-Code morality.

Each film in The Human Condition is unforgettable, but the film is just as powerful, if not more powerful, when examined as a single product.

A career-spanning retrospective for “one of America’s most tenacious outsider auteurs.”

While 1981’s Honky Tonk Freeway does fall victim to some of the excesses of ensemble comedy, it makes up for it in truckloads of gonzo silliness.

The pinnacle of teen sex comedies receives its enshrinement in the hallowed Criterion Collection.