In an interview that opens Nickolas Rossi’s 2014 documentary Heaven Adores You, Elliott Smith frames himself perfectly: “I’m the wrong kind of person to be really big and famous.”

Two young lovebirds run away together just days ahead of one of a hurricanes in Wes Anderson’s most quotable movie.

Imagine Road House, but on a smaller budget and more country-fried.

The Color Wheel isn’t an easy film to like, or watch even, but it sears its brazen imagery onto your subconscious, like the spots you see after staring into a bright light for too long. It may be shot in stark black and white, but its lingering impressions burn as intensely and vividly as a fireworks display.

A fun, underrated feature from the late horror maestro, Wes Craven.

Brian De Palma’s 1980 film Dressed to Kill is C-grade exploitation executed in A-plus form.

A re-released box set made even more attractive by a new bonus documentary and lower price point.

A trio of documentaries no one with an interest in music history should miss.

Rarely do movies try—and fail—as hard to be cool as Hackers.