When Green Twins came out last year, reviews spent as much time labeling Nick Hakim’s debut as they did discussing the music. Let’s have a go then: Hakim channels old school soul through modern psychedelically tinged elegiac folk, creating a feeling smooth on the surface and disconcerting underneath.

The phrase “bisexual lighting” has been floating around a lot lately. A page devoted to it on Know Your Meme—because apparently, even lighting can be a meme now—describes it as “neon lighting with high emphasis on pinks, purples, and blues.”

It was all in the family for the Winwoods on the last night of Steve Winwood’s Greatest Hits Tour in Bethlehem, PA.

Lydia Loveless presents a new and improved self to Philadelphia on a beautiful Saturday night.

Desert Daze has restored my faith in festivals. The festival, which celebrated its sixth year this past weekend, is unique in a number of ways, not the least of which is its location in Joshua Tree at the Institute of Mentalphysics.

How do you discuss a show that was so uniformly breathtaking without sounding boring?

NYC’s Panorama is a relatively young festival, which makes the smoothness with which it ran very impressive.

It may have taken 13 years, but it looks like the creators of FYF Fest have figured out the key to creating a memorable festival experience-diversity. FYF Fest 2017 proved once over that when festival organizers make a real effort to create a diverse and varied lineup that caters to people across the spectrum, everyone wins.

I spent the majority of Positivus Festival giggling with delight. It wasn’t the Black Balsam shots, I swear.