Apr 06, 2017 Web Exclusive

Imagine The Hangover mixed with Leaving Las Vegas and Godzilla and you won’t have anything remotely like Colossal, but you might get a sense for how out there it is. More

Mar 26, 2017 Web Exclusive

In Wilson, the third illustrated story of artist and writer Daniel Clowes to be adapted for the screen, we are again nudged to pay attention to the overlooked and misunderstood. The difficulty in relating for societal outliers previously touched on in Ghost World and Art School Confidential are maxed out in the character of Wilson, the latest of Clowes’ offbeat protagonists to find cinematic vitality. More

Feb 24, 2017 Web Exclusive

A lost boy sets out across the perilous backstreets of Calcutta, defying the odds and finding an adoptive Western family. Years later he makes an equally compelling journey across a digital landscape, traversing Google Maps to find his way home again, and reunite with his mother. The inspirational sweep of that story for Lion helped Luke Davies secure an Academy Award nomination for Best Adapted Screenplay. Davies tells us about turning Brierley’s autobiography, A Long Way Home, into an Oscar darling. More

Feb 15, 2017 Web Exclusive

For Mystery Science Theater 3000 fans, Trace Beaulieu and Frank Conniff require no introduction. Together through five of the show’s seasons – including several of its most beloved episodes – Trace and Frank played the mad scientists (or “The Mads,” as they were affectionately known) who antagonized the inhabitants of the Satellite of Love from their villainous layer down on Earth. Recently, the Mads have reunited and launched a new touring show appropriately called The Mads are Back, where they riff bad movies in front of live audiences in movie theaters and auditoriums across the country. Trace and Frank had a chat with us about their new live show, the old days at Mystery Science Theater 3000, and other ventures. More

Feb 10, 2017 Issue # 59 - 15th Anniversary

In Jim Jarmusch's new film, Paterson, Adam Driver plays the titular Paterson in the titular town of Paterson, New Jersey. He is a bus driver and a poet, two things that may not coalesce in the minds of snap judgments or assumptions.  More

Feb 03, 2017 Web Exclusive

Wayne’s World is celebrating its 25th anniversary with a nationwide re-release this month. Film writer J.A. Kordosh spoke with Penelope Spheeris, the director of the comedy classic,  about the wisdom of being poor, why she didn’t direct the sequel and trademark bandanas.  More

Jan 13, 2017 Web Exclusive

The new film Patriots Day will be familiar to many viewers throughout the United States, especially New England. It is a dramatic retelling of the bombing that occurred at the Boston Marathon on April 15, 2013, leaving three people dead and a city on edge. Its subject matter is ripe for adaptation as it has built-in tension and its setting will hit close to home, though it could be heavily scrutinized to ensure it’s not sensational in its depiction. As recognizable as the story may be, it is unlikely the names Atticus Ross and Trent Reznor would be the first to come to mind when thinking of the musical score. Ross and Reznor have collaborated on the David Fincher films The Social Network, The Girl With the Dragon Tattoo, and Gone Girl, getting Academy Award recognition for the first. Despite a resume of highly regarded work, the duo is not the obvious choice to handle the material. And, according to them, that’s the point. More

Dec 07, 2016 Web Exclusive

Steven Okazaki is an Oscar-winning director whose latest project, Mifune: The Last Samurai, chronicles the life of Japanese actor Toshiro Mifune. Mifune rose from the destruction of post-war Japan to leave an indelible mark on cinema from Tokyo to Hollywood. I spoke with Okazaki over the phone about Mifune, nervously watching the minutes on my recording app be picked off like bandits against Kyuzo in Seven Samurai.   More

Dec 06, 2016 Web Exclusive

With dozens of genre credits to his name spanning the last three decades, fewer names or faces have been more synonymous with the horror genre than Bill Moseley’s. Devotees of ‘80s horror flicks will recognize him as Chop Top, brother of Leatherface, from Tobe Hooper’s wild classic Texas Chainsaw Massacre 2; new school horror fans may better know him as the demented Otis Driftwood in Rob Zombie’s The Devil’s Rejects. Others will know him for his music; in particular, the experimental albums he put out with Buckethead under the name Cornbugs. More