It’s impossible for anyone but Ryan Adams to say whether or not his new album is symbolically self-titled. It sure seems that way.

For their honeymoon, Bea and Paul escape the bustle of New York City to Bea’s family’s lake cabin in the woods. Their first few days as man and wife are soon spoiled, though, when Bea exhibits odd behavior.

Simian Mobile Disco has always walked a line between the strict rules of straight-up dance music and the free, experimental nature of underground rock. Now, on Whorl, they’ve thrown all convention out the window and trekked to the desert to look at stars.

We’re three episodes into the new season of Doctor Who, and subsequently three episodes into the time-traveler’s latest incarnation. Peter Capaldi’s cynical and cantankerous version of the BBC’s 50-year-old hero may be a more serious take, especially compared to Matt Smith’s fantastically aloof Eleventh Doctor, but the episodes so far show no sign of easing up on the rampant silliness, for better or worse.

Need it be said that a comedy about suicidal siblings is going to be a little bleak?

Death From Above 1979 pick up right where they left off…uh, holy shit, 10 years ago.

Tennis have made a solid career from their shimmering dream-pop shtick. Since releasing nautically-themed debut Cape Dory in 2011, the husband/wife pairing Alaina Moore and Patrick Riley have gone on to achieve respectable indie fame, notching up a cluster of fawning celebrity fans along the way.

Steve Buscemi returns to his old firehouse, Engine 55, reconnects with old friends, and interviews a handful of current and retired firefighters about their experiences within the FDNY.

Avigdor Zahner-Isenberg and crew finally follow up the precocious pop of 2010’s eponymous Avi Buffalo with a sophomore effort, having spent some time in the hallowed indie halls of John Vanderslice’s Tiny Telephone studio to craft a new batch of tunes.